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"..hipswinging percussion and
bass, taut, supple, melodic flaunting of the string section-plunges you
immediately into the golden era of Turkish restaurant music. Friedlander at
first winds and weaves his way in the wings until a gap clears on the
dancefloor, and he is oozing proud and plangent colours, ploughing a furrow of
arpeggios or momentarily skating off over the strings in a tense and dissonant
whisper." |
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"Grains of Paradise" was recorded at
Context Studios June 18-19, 2001. The
recording engineer was Danny Littwin. I mixed the CD myself using the excellent
multi-track sound editing program SAW Pro (http://www.sawstudio.com).
Most of
the CD was recorded the first day with: Erik Friedlander, cello Trevor Dunn,
bass Satoshi Takeishi, percussion Bryce Dessner, guitar Joyce Hammann, violin
Karen Milne, violin Peter Rovit, violin. On the second day Joyce and Karen
returned to the studio to do many overdubs and along with me completed the
string parts.
Thanks to Bryce Dessner who took the time to arrange and
then perfect the opening of Tziporen. Special Thanks to Ed Montgomery at
Context Studios in Williamsberg for his
consistent good humor, for picking us up at the subway station in Williamsburg
and for making the project go as smoothly as possible. I would also like to
thank Arcady for making the transfer of all the Grains files so I could
bring them home to mix.
Tracks (MP3
Sampler)
- 1.Zahtar
- 2.Na'na'
- 3.Shamir
- 4.Tapuz
- 5.Rashad
- 6.Aley Daphna
- 7.Batzal
- 8.Tziporen
- 9.Grains of Paradise
Grains of Paradise is a spice from West Africa very much
like black pepper, used in spiced wines and cooking but also chewed to warm the
body on cold days.
Exotic spices from far away lands have always had a
mystical hold over our imagination. These grains of paradise, powerful,
pleasurable aromatics have been used in foods, drinks and in scented oils and
were thought to be effective not only to enliven and preserve foods, but as
aphrodisiacs and tonics.
Music like spices can be an exotic and
gratifying intoxicant. I have recently found myself mesmerized by the pop music
of the Middle East and the film music from Bollywood. Both these commercial or
popular forms of music use large sections of violins in an aggressive rhythmic
way. These string sections are tight and interactive, complimenting and
challenging the lead voice but never falling into the limp "sweetener" role
often found in pop music.
I have written 9 original tracks that combine
my own experience as a modern improvising cellist with these imported ideas
from the Middle East and India. They have inspired me by giving me a new
appreciation for my instrument and a fertile ground to explore in my own way.
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